The use of theoretical sources in Joan O'Neille's Tratado de Paisaje (1862)

Authors

  • Andreu Josep Villalonga Vidal

DOI:

https://doi.org/10.22307/2386.7124.2024.01.002

Keywords:

Joan O’Neille, landscape painting, 19th century art, artistic literature, seascape painting

Abstract

When writing the Tratado de Paisaje, Joan O'Neille documented himself using several texts (Spanish and French, mainly) which mean that the result can be considered as a synthesis of the assessment that, in the middle of the 19th century, there was landscape painting in Europe. It must be warned, however, that in the lines that follow it will not be possible to carry out an exhaustive analysis of the contents of the treaty. It will only be attempted to point out, in broad terms, what is the assessment of the genre, what is its classification table and what is the role that the main sources used by O'Neille had in its genesis.

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Coberta núm.6

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Published

2024-09-30

How to Cite

Villalonga Vidal, A. J. (2024). The use of theoretical sources in Joan O’Neille’s Tratado de Paisaje (1862). Mayurqa, (6), 15–21. https://doi.org/10.22307/2386.7124.2024.01.002

Issue

No. 6 (2024)

Section

Miscellaneous

License

Copyright (c) 2024 Andreu Josep Villalonga Vidal

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